A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 306
... Unity The concept of “ organic unity , " or more loosely , " unity in variety , " is commonly traced back to classical antiquity , though there is in fact little about it in the surviving literature . The not entirely happy metaphor ...
... Unity The concept of “ organic unity , " or more loosely , " unity in variety , " is commonly traced back to classical antiquity , though there is in fact little about it in the surviving literature . The not entirely happy metaphor ...
Pagina 390
... unity is desirable in the work , or that intensity of regional quality is desirable in the work . If we press farther , however , and ask the critic why greater unity would help to make the work a better one , this question too ...
... unity is desirable in the work , or that intensity of regional quality is desirable in the work . If we press farther , however , and ask the critic why greater unity would help to make the work a better one , this question too ...
Pagina 391
... unity ) is present in a par- ticular painting . When we look at a painting and it fails to hang together , that may be because we are tired , or our perceptions are dulled by an adverse mode , or we are not attending closely enough , or ...
... unity ) is present in a par- ticular painting . When we look at a painting and it fails to hang together , that may be because we are tired , or our perceptions are dulled by an adverse mode , or we are not attending closely enough , or ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York