A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 71
Pagina 398
... vision In itself , this concept is not dialectical in origin , and has been widely used by Dilthey and his school . Unfortunately , they have done so in a very vague way , and have never succeeded in giving it anything like a scientific ...
... vision In itself , this concept is not dialectical in origin , and has been widely used by Dilthey and his school . Unfortunately , they have done so in a very vague way , and have never succeeded in giving it anything like a scientific ...
Pagina 401
... vision . This vision is the product of a collective group consciousness which reaches its highest expression in the mind of a poet or a thinker . The expression which his work provides is then studied by the historian who uses the idea ...
... vision . This vision is the product of a collective group consciousness which reaches its highest expression in the mind of a poet or a thinker . The expression which his work provides is then studied by the historian who uses the idea ...
Pagina 403
... vision is considered in the abstract , as an attempt to solve certain fundamental human problems and to give each of them its own importance . As we move away from the abstract idea of the world vision , so we find that the individual ...
... vision is considered in the abstract , as an attempt to solve certain fundamental human problems and to give each of them its own importance . As we move away from the abstract idea of the world vision , so we find that the individual ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York