A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 254
... visual arts , painting , sculp- ture , and architecture through the eye . Is there not , more than a difference in function , a genuine and essential contrast in content , between what the eye sees and what the ear hears ? I am speaking ...
... visual arts , painting , sculp- ture , and architecture through the eye . Is there not , more than a difference in function , a genuine and essential contrast in content , between what the eye sees and what the ear hears ? I am speaking ...
Pagina 275
... visual dynamics is not inherent in the physical object - where are the forces which constitute it ? Gestalt psychologists refuse to describe them as an effect of empathy , that is , as a mere projection of previously acquired knowledge ...
... visual dynamics is not inherent in the physical object - where are the forces which constitute it ? Gestalt psychologists refuse to describe them as an effect of empathy , that is , as a mere projection of previously acquired knowledge ...
Pagina 280
... Visual thinking manifests and develops general intelli- gence , and the stepwise progress of visual order reflects the development of the person as a whole . Visual order as a tool of insight has been stressed by the late Gustaf Britsch ...
... Visual thinking manifests and develops general intelli- gence , and the stepwise progress of visual order reflects the development of the person as a whole . Visual order as a tool of insight has been stressed by the late Gustaf Britsch ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York