A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 122
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many " meanings " ( for example , the word " brute " can mean a ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many " meanings " ( for example , the word " brute " can mean a ...
Pagina 129
... word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of dif- ferent circumstances in which the word was used . It is these associations that provided the latent content of affect which is ...
... word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of dif- ferent circumstances in which the word was used . It is these associations that provided the latent content of affect which is ...
Pagina 131
... word into contact . It is like a switch- board ; some of the affective associations fade away directly they enter it , others run down into other words and alter their color ; others blend to- gether and heighten a particular word . The ...
... word into contact . It is like a switch- board ; some of the affective associations fade away directly they enter it , others run down into other words and alter their color ; others blend to- gether and heighten a particular word . The ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York