The Romantic Ideology: A Critical Investigation

Copertina anteriore
University of Chicago Press, 15 feb 1985 - 172 pagine
Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism.

In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities.
 

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Sommario

II
3
III
17
IV
19
VI
23
VII
33
VIII
42
X
51
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59
XIV
83
XVI
95
XVII
97
XVIII
120
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139
XXIV
149
XXV
155
XXVI
163

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61
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74

Parole e frasi comuni

Informazioni sull'autore (1985)

Jerome McGann is the John Stewart Bryan University Professor at the University of Virginia. His most recent books are The Point Is to Change It: Poetry and Criticism in the Continuing Present and The Scholar's Art: Literature and Scholarship in a Managed World, the latter published by the University of Chicago Press.

Jerome McGann is the John Stewart Bryan University Professor at thenbsp;University of Virginia.nbsp;His most recent books are The Point Is to Change It: Poetry and Criticism in the Continuing Present and The Scholar's Art: Literature and Scholarship in a Managed World, the latter published by the University of Chicago Press.

Informazioni bibliografiche