Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly Explained |
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Pagina 67
Because of the detail of the plot outline , the authors believe that the inclusion of a complete half - hour script , or of even one scene , is unnecessary for the purposes of this chapter . Probably while the dialogue is being written ...
Because of the detail of the plot outline , the authors believe that the inclusion of a complete half - hour script , or of even one scene , is unnecessary for the purposes of this chapter . Probably while the dialogue is being written ...
Pagina 276
This use of music is sometimes carried to the point where a complete musical score is synchronized with the lines of an entire sketch , with the mood of the music changing to fit the mood and action of the script . 3.
This use of music is sometimes carried to the point where a complete musical score is synchronized with the lines of an entire sketch , with the mood of the music changing to fit the mood and action of the script . 3.
Pagina 295
He writes at least two complete scripts in his proposed series . These scripts may be the first two , or preferably , they will be script number one , and number five , or seven , or nine , to give a definite idea of future plot and ...
He writes at least two complete scripts in his proposed series . These scripts may be the first two , or preferably , they will be script number one , and number five , or seven , or nine , to give a definite idea of future plot and ...
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Sommario
CHAPTER | 1 |
CONTINUITY | 13 |
THE MECHANICS OF Radio DRAMA | 30 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors adaptation advertising ANNOUNCER appeal ATWOOD audience Aunt Jane basic broadcast called Captain cast Chapter characters close comedy commercial credits complete continuity Cooper course create dialogue direction director discussed door educational effective electricity established experience fact FADING field fire give hear heard HOLMES idea important interest knowledge lines listeners living look material means medium microphone mind minutes Miss natural never novel opening original particular performance personality Peter planning play plot political prepared presentation radio drama radio writer requires ring river rule scene script selected setting SLIGHT sound sound-effects speech sponsor stage stations story successful sure Susan talk tell thing Thomas tion Uncas usually voice week WHISPER written young