Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly Explained |
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Pagina 5
This disparity will be discussed in Chapter 16 , under the heading , Presentation and Marketing of Scripts . 2. Classification of Written Material All material written to be broadcast falls under one of the three following ...
This disparity will be discussed in Chapter 16 , under the heading , Presentation and Marketing of Scripts . 2. Classification of Written Material All material written to be broadcast falls under one of the three following ...
Pagina 87
These two forms of radio presentation , to be discussed in this chapter , are related in that they are developed primarily , not from the writer's imagination , but from existing material , factual or fictional .
These two forms of radio presentation , to be discussed in this chapter , are related in that they are developed primarily , not from the writer's imagination , but from existing material , factual or fictional .
Pagina 144
The pergram are the same as those discussed in Chapter 11 , under the heading Personality Programs . Scripts for this type of program must be informal , interesting and “ chatty . ” They must sound as though the personality might be ...
The pergram are the same as those discussed in Chapter 11 , under the heading Personality Programs . Scripts for this type of program must be informal , interesting and “ chatty . ” They must sound as though the personality might be ...
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Sommario
CHAPTER | 1 |
CONTINUITY | 13 |
THE MECHANICS OF Radio DRAMA | 30 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
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action actors adaptation advertising ANNOUNCER appeal ATWOOD audience Aunt Jane basic broadcast called Captain cast Chapter characters close comedy commercial credits complete continuity Cooper course create dialogue direction director discussed door educational effective electricity established experience fact FADING field fire give hear heard HOLMES idea important interest knowledge lines listeners living look material means medium microphone mind minutes Miss natural never novel opening original particular performance personality Peter planning play plot political prepared presentation radio drama radio writer requires ring river rule scene script selected setting SLIGHT sound sound-effects speech sponsor stage stations story successful sure Susan talk tell thing Thomas tion Uncas usually voice week WHISPER written young