Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly Explained |
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Pagina 34
As an illustration of sound - effects used to carry on the action of a scene , let the reader imagine he is seated in his own living room , listening to his radio receiver .
As an illustration of sound - effects used to carry on the action of a scene , let the reader imagine he is seated in his own living room , listening to his radio receiver .
Pagina 114
But today we take them for granted as part of our equipment for more enjoyable living . In style shows and Easter parades and throughout the years the results of Du Pont chemical research are represented by new products and improved ...
But today we take them for granted as part of our equipment for more enjoyable living . In style shows and Easter parades and throughout the years the results of Du Pont chemical research are represented by new products and improved ...
Pagina 290
The same situations , and the same jokes , when heard by one listener seated in his own living room , may not only seem to lack humor , but may also sound cheap and in poor taste . Still another reason for more careful control of radio ...
The same situations , and the same jokes , when heard by one listener seated in his own living room , may not only seem to lack humor , but may also sound cheap and in poor taste . Still another reason for more careful control of radio ...
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Sommario
CHAPTER | 1 |
CONTINUITY | 13 |
THE MECHANICS OF Radio DRAMA | 30 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors adaptation advertising ANNOUNCER appeal ATWOOD audience Aunt Jane basic broadcast called Captain cast Chapter characters close comedy commercial credits complete continuity Cooper course create dialogue direction director discussed door educational effective electricity established experience fact FADING field fire give hear heard HOLMES idea important interest knowledge lines listeners living look material means medium microphone mind minutes Miss natural never novel opening original particular performance personality Peter planning play plot political prepared presentation radio drama radio writer requires ring river rule scene script selected setting SLIGHT sound sound-effects speech sponsor stage stations story successful sure Susan talk tell thing Thomas tion Uncas usually voice week WHISPER written young