Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green, 1938 - 308 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 247
... studio audience and most of them do - be sure to be a member of the audience . Study the reactions of the people who are present . So long as the personality is honest with his studio audience and relies entirely upon aural effects ...
... studio audience and most of them do - be sure to be a member of the audience . Study the reactions of the people who are present . So long as the personality is honest with his studio audience and relies entirely upon aural effects ...
Pagina 271
... studio . This al- lows the director to talk directly to his performers during rehearsals , giving them advice and suggestions at the exact moment he thinks they need it , instead of taking notes and relaying his ideas to the performers ...
... studio . This al- lows the director to talk directly to his performers during rehearsals , giving them advice and suggestions at the exact moment he thinks they need it , instead of taking notes and relaying his ideas to the performers ...
Pagina 281
... studio . The director may attempt to obtain a rough timing of each scene of the script during these first readings . If he can do it , so much the better . Undoubtedly he will stop the readings many times to make suggestions concerning ...
... studio . The director may attempt to obtain a rough timing of each scene of the script during these first readings . If he can do it , so much the better . Undoubtedly he will stop the readings many times to make suggestions concerning ...
Sommario
CHAPTER PAGE 1 CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
CONTINUITY | 13 |
THE MECHANICS OF RADIO Drama | 30 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring river scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell Thales theme Thomas tion Uncas voice WHISPER written