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Extrinsic Modes of Organization
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action patterns aesthetic experience aesthetic field aesthetic value analysis analytical appreciation artist attitude axis balance Banquo beauty become book of proverbs chair character climax color composition contextualistic contrast discrimination elements emotion England town event quality excellent art fact feel function fused fusion gamut of pitches given event gradation habit Helen Parkhurst Hermes I. A. Richards intensity interest intricate intrinsic intrusive novelty intuition involved judgment limits locations Macbeth material means ments modes of organization monotony musical scales normal painting paradox patterns of action pediment perception poem practical action Praxiteles principle of dominant principle of theme realization recognition relations relevant repetition rhythm scale sculpture sections sense sensuous Shono print simple sonata form sonnet sort sounds spatial spectator spread of quality structure of attention taste technique temporal Thane theme and variation theory thing tical tion tive tophe ture vividness of quality whole words