Aesthetic Quality: A Contextualistic Theory of BeautyC. Scribner's Sons, 1938 - 255 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 34
... ture there in constant interaction with a physical environment . It is strikingly noticeable , however , that this information tells us nothing about the quality or qualities of that texture . The information is entirely relational ...
... ture there in constant interaction with a physical environment . It is strikingly noticeable , however , that this information tells us nothing about the quality or qualities of that texture . The information is entirely relational ...
Pagina 42
... ity is clearly the continuous physical textures of which we were lately speaking . The relatively stable continuity of the personal physical tex- ture of my body and of the impersonal physical texture 42 ÆSTHETIC QUALITY.
... ity is clearly the continuous physical textures of which we were lately speaking . The relatively stable continuity of the personal physical tex- ture of my body and of the impersonal physical texture 42 ÆSTHETIC QUALITY.
Pagina 157
... ture . But , of course , a perfect performer's tech- nique is one in which no such separation takes place except through ignorance or other weak- ness of the spectator . At the same time , a per- fect performer's technique , even of a ...
... ture . But , of course , a perfect performer's tech- nique is one in which no such separation takes place except through ignorance or other weak- ness of the spectator . At the same time , a per- fect performer's technique , even of a ...
Sommario
Introduction | 3 |
Extrinsic Modes of Organization | 114 |
Pattern an Intrinsic Mode of Organization | 168 |
Copyright | |
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Aesthetic Quality: A Contextualistic Theory of Beauty Stephen Coburn Pepper Visualizzazione estratti - 1938 |
Parole e frasi comuni
action patterns æsthetic experience æsthetic field æsthetic judgment æsthetic object æsthetic quality æsthetic statue æsthetic theory æsthetic value analysis analytical appreciation artist attitude axis balance Banquo beauty become book of proverbs character climax color composition contextualistic contrast discrimination elements emotion event quality excellent art fact feel function fused fusion gamut of pitches given event gradation habit Helen Parkhurst Hermes I. A. Richards intensity interest intricate intrinsic intrusive novelty intuition involved limits locations Macbeth means ments modes of organization monotony normal painting paradox patterns of action pediment perception poem practical action Praxiteles principle of dominant realization recognition relations relevant repetition rhythm scale sculpture sections sense sensuous Shono print simple sonata form sonnet sort sounds spatial spectator spread of quality structure of attention taste technique temporal Thane theme and variation thing tical tion tive tophe ture vividness of quality whole words