A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina xiii
... WILHELM WORRINGER : Abstraction and Empathy . From Abstraktion und Einfühlung ( Translated by Bernard Freyd and Melvin Rader ) THIRTEEN : DISTANCE AND DEHUMANIZATION , 392 EDWARD BULLOUGH : " Psychical Distance " as a Factor in Art and ...
... WILHELM WORRINGER : Abstraction and Empathy . From Abstraktion und Einfühlung ( Translated by Bernard Freyd and Melvin Rader ) THIRTEEN : DISTANCE AND DEHUMANIZATION , 392 EDWARD BULLOUGH : " Psychical Distance " as a Factor in Art and ...
Pagina 372
... Worringer finds the two esthetic processes alike in being modes of " self - privation " -escapes from the ... Wilhelm Worringer , Form in Gothic ( G. P. Putnam's Sons , London , 1927 ) , P. 37 . we all kno rock h the object what e ...
... Worringer finds the two esthetic processes alike in being modes of " self - privation " -escapes from the ... Wilhelm Worringer , Form in Gothic ( G. P. Putnam's Sons , London , 1927 ) , P. 37 . we all kno rock h the object what e ...
Pagina 382
... WILHELM WORRINGER Abstraction and Empathy The aim of the following discussion is to disprove the assumption that [ the ] process of empathy has been at all times and places the basis of artistic creation . With the theory of empathy in ...
... WILHELM WORRINGER Abstraction and Empathy The aim of the following discussion is to disprove the assumption that [ the ] process of empathy has been at all times and places the basis of artistic creation . With the theory of empathy in ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words