A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina xxii
... appreciation but the description , give outer truth , and hence a communicable content . According to Royce , the world of description is , in a sense , real , but super- ficial . If you are describing a friend , you can indicate his ...
... appreciation but the description , give outer truth , and hence a communicable content . According to Royce , the world of description is , in a sense , real , but super- ficial . If you are describing a friend , you can indicate his ...
Pagina xxx
... Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic con- templation , which is described in the present ...
... Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic con- templation , which is described in the present ...
Pagina xxxi
... appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an ... appreciation that it yields . I am using the word " appreciation " not in the superficial sense of amuse- ment or ...
... appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an ... appreciation that it yields . I am using the word " appreciation " not in the superficial sense of amuse- ment or ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words