A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 55
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
Pagina 332
... artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable Tintoretto compositions . Artists generally tend to reuse similar pat- terns . As an artist matures , he develops a characteristic ...
... artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable Tintoretto compositions . Artists generally tend to reuse similar pat- terns . As an artist matures , he develops a characteristic ...
Pagina 334
... artist less virile than Bach , or a slavish copyist who took traditional type patterns as rigid schemata and traditional examples as absolute models , would be un- likely to turn traditional forms to very significant account . But an artist ...
... artist less virile than Bach , or a slavish copyist who took traditional type patterns as rigid schemata and traditional examples as absolute models , would be un- likely to turn traditional forms to very significant account . But an artist ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral movement nature nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words