A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 19
... beauty the supplementing imagination is independent of what is perceived and yet is blended with what is perceived into a new esthetic whole . Inadequately , because the beauty or co- herence between the elements supplied in sense and ...
... beauty the supplementing imagination is independent of what is perceived and yet is blended with what is perceived into a new esthetic whole . Inadequately , because the beauty or co- herence between the elements supplied in sense and ...
Pagina 23
... Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things . In his penetrating analysis , he delimits beauty by a series of exclusions . Since beauty is a ...
... Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things . In his penetrating analysis , he delimits beauty by a series of exclusions . Since beauty is a ...
Pagina 28
... beauty -claritas est de ratione pulchritudinis , lux pulchrificat , quia sine luce omnia sunt turpia , -but it is a splendor of intelligibility : splendor veri , said the Pla- tonists , splendor ordinis , said St. Augustine , adding ...
... beauty -claritas est de ratione pulchritudinis , lux pulchrificat , quia sine luce omnia sunt turpia , -but it is a splendor of intelligibility : splendor veri , said the Pla- tonists , splendor ordinis , said St. Augustine , adding ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words