A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 490
... character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic orna- ment , the several kinds being ...
... character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic orna- ment , the several kinds being ...
Pagina 491
... character : character comes in as subsidiary to the actions . Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing of all . Again , without action there cannot be a tragedy ; there may be without ...
... character : character comes in as subsidiary to the actions . Hence the incidents and the plot are the end of a tragedy ; and the end is the chief thing of all . Again , without action there cannot be a tragedy ; there may be without ...
Pagina 497
... character in tragedy . The rule of neces- sity or probability applicable to character as to plot . The " deus ex machina . " How character is idealized . ] In respect of Character there are four things to be aimed at . First , and most ...
... character in tragedy . The rule of neces- sity or probability applicable to character as to plot . The " deus ex machina . " How character is idealized . ] In respect of Character there are four things to be aimed at . First , and most ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words