A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 16
... character . You may see a face as majestic as that of the Zeus of Orticoli and the man may perchance possess that character ; or the horse's arching of his neck may really proceed from the self - display we read into it in finding it ...
... character . You may see a face as majestic as that of the Zeus of Orticoli and the man may perchance possess that character ; or the horse's arching of his neck may really proceed from the self - display we read into it in finding it ...
Pagina 85
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 114
... character had more powerful arguments than Dostoevsky had allowed for in his plot . It is a form of intuition ; it is the immediate recognition of a real truth , a penetration into the realities of character . And it has broken through ...
... character had more powerful arguments than Dostoevsky had allowed for in his plot . It is a form of intuition ; it is the immediate recognition of a real truth , a penetration into the realities of character . And it has broken through ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words