A Modern Book of Esthetics: An Anthology |
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Pagina 63
If we say that the aim of any activity is merely our pleasure and define it v ^ (y
solely by that pleasure, our definition will evidently be a false one. But this is , K
precisely what has occurred in the efforts to define art. . . . What is art if we put
aside ...
If we say that the aim of any activity is merely our pleasure and define it v ^ (y
solely by that pleasure, our definition will evidently be a false one. But this is , K
precisely what has occurred in the efforts to define art. . . . What is art if we put
aside ...
Pagina 202
Certainly, at one time at least it seemed to me that this organic theory constituted
the one true and real definition of art. My final example is the most interesting of
all, logically speaking. This is the Voluntarist theory of Parker. In his writings on ...
Certainly, at one time at least it seemed to me that this organic theory constituted
the one true and real definition of art. My final example is the most interesting of
all, logically speaking. This is the Voluntarist theory of Parker. In his writings on ...
Pagina 206
to ensure any set of defining properties. We can, of course, choose to close the
concept. But to do this with "art" or "tragedy" or "portraiture," etc., is ludicrous
since it forecloses on the very conditions of creativity in the arts. Of course there
are ...
to ensure any set of defining properties. We can, of course, choose to close the
concept. But to do this with "art" or "tragedy" or "portraiture," etc., is ludicrous
since it forecloses on the very conditions of creativity in the arts. Of course there
are ...
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function George Santayana give human I. A. RICHARDS ideas illusion images imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words