A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 80
... direct and sympathetic vision of reality . HENRI BERGSON The Individual and the Type What is the object of art ? Could reality come into direct contact with sense and consciousness , could we enter into immediate communion with things ...
... direct and sympathetic vision of reality . HENRI BERGSON The Individual and the Type What is the object of art ? Could reality come into direct contact with sense and consciousness , could we enter into immediate communion with things ...
Pagina 258
... direct intellectual perception , or intuition , but it does not abstract a concept for dis- cursive thought . Its import is seen in it ; not , like the meaning of a genuine sym- bol , by means of it but separable from the sign . The ...
... direct intellectual perception , or intuition , but it does not abstract a concept for dis- cursive thought . Its import is seen in it ; not , like the meaning of a genuine sym- bol , by means of it but separable from the sign . The ...
Pagina 290
... direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been illuminated and harmonized for us ...
... direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been illuminated and harmonized for us ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words