A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 39
... distinction between them is im- portant . One factor of this distinction is that while esthetic judgments are mainly positive , that is , perceptions of good , moral judgments are mainly and fundamentally negative , or perceptions of ...
... distinction between them is im- portant . One factor of this distinction is that while esthetic judgments are mainly positive , that is , perceptions of good , moral judgments are mainly and fundamentally negative , or perceptions of ...
Pagina 42
... distinction made by con- sciousness and language between it and the rest . It will be instructive to notice the degrees of this difference . The bodily pleasures are those least resembling perceptions of beauty . By bodily pleasures we ...
... distinction made by con- sciousness and language between it and the rest . It will be instructive to notice the degrees of this difference . The bodily pleasures are those least resembling perceptions of beauty . By bodily pleasures we ...
Pagina 317
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words