A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 24
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
Pagina 49
... distinguished from the perception of beauty , as sensation in general is distinguished from perception ; by the objecti- fication of the elements and their appearance as qualities rather of things than of consciousness . The passage ...
... distinguished from the perception of beauty , as sensation in general is distinguished from perception ; by the objecti- fication of the elements and their appearance as qualities rather of things than of consciousness . The passage ...
Pagina 463
... distinguished for its allegiance to Aris- totelian principles derived from the Poetics , flourished in the seventeenth and eighteenth centuries . “ Romantic ” criticism , which was preponderantly re - creative and which was distinguished ...
... distinguished for its allegiance to Aris- totelian principles derived from the Poetics , flourished in the seventeenth and eighteenth centuries . “ Romantic ” criticism , which was preponderantly re - creative and which was distinguished ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral movement nature nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words