A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 367
An Anthology Melvin Miller Rader. CHAPTER TWELVE Empathy and Abstraction VERNON LEE Empathy THEODOR LIPPS Empathy , Inner Imitation , and Sense - Feelings WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES ...
An Anthology Melvin Miller Rader. CHAPTER TWELVE Empathy and Abstraction VERNON LEE Empathy THEODOR LIPPS Empathy , Inner Imitation , and Sense - Feelings WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES ...
Pagina 386
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
Pagina 390
... empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as ...
... empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words