A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 374
... enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic object- a pleasure caused by viewing the object . In this experience the esthetic object is always ...
... enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic object- a pleasure caused by viewing the object . In this experience the esthetic object is always ...
Pagina 375
... enjoyment . One can see that this ground occupies a middle position between the ob- ject of the esthetic enjoyment and the enjoyment itself . Let us stress this first : The above mentioned feelings have not , like the enjoyment , the ...
... enjoyment . One can see that this ground occupies a middle position between the ob- ject of the esthetic enjoyment and the enjoyment itself . Let us stress this first : The above mentioned feelings have not , like the enjoyment , the ...
Pagina 376
... enjoyment , this sense of value is objectified . In contemplating the strong , proud , free human form standing before me I do not feel strong , proud and free as such , or in my own place , or in my own body , but I feel myself thus in ...
... enjoyment , this sense of value is objectified . In contemplating the strong , proud , free human form standing before me I do not feel strong , proud and free as such , or in my own place , or in my own body , but I feel myself thus in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words