A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 16
... esthetic appreciation is not itself esthetic . This is best shown by the truth that the artistic representation may be more beautiful than the original , like the suggested movements of the Winged Victory or of the figures in ...
... esthetic appreciation is not itself esthetic . This is best shown by the truth that the artistic representation may be more beautiful than the original , like the suggested movements of the Winged Victory or of the figures in ...
Pagina 470
... esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection ...
... esthetic material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection ...
Pagina 475
... esthetic value . We now come to the organistic theory of criticism . This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to ...
... esthetic value . We now come to the organistic theory of criticism . This follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words