A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina xxvi
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
... estheticians agree with Tolstoy and Véron that ugliness may be legitimately introduced into the work of art not merely as a foil to beauty but for the sake of its own independent expressiveness . Others agree with Croce that artistic ...
Pagina xxx
... estheticians as Croce , Fry , Ortega y Gasset , and Münsterberg . Aligned on the other side are such thinkers as Tolstoy , Dewey , Mumford , Clark , and Richards , who emphasize the continuity between esthetic and non - esthetic values ...
... estheticians as Croce , Fry , Ortega y Gasset , and Münsterberg . Aligned on the other side are such thinkers as Tolstoy , Dewey , Mumford , Clark , and Richards , who emphasize the continuity between esthetic and non - esthetic values ...
Pagina 7
... estheticians who are inclined to trace all feeling for beauty to a disguised sexual instinct . This is wrong . Art comprises all emotions which play a role in human life and love is one of these . It is unnecessary to say anything about ...
... estheticians who are inclined to trace all feeling for beauty to a disguised sexual instinct . This is wrong . Art comprises all emotions which play a role in human life and love is one of these . It is unnecessary to say anything about ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
15 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words