A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 172
An Anthology Melvin Miller Rader. that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but ...
An Anthology Melvin Miller Rader. that are implicated in this interaction qualify experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but ...
Pagina 173
... experience , flow is from something to something . As one part leads into another and as one part carries on what went before , each gains distinctness in itself . The enduring whole is diversified by successive phases that are emphases ...
... experience , flow is from something to something . As one part leads into another and as one part carries on what went before , each gains distinctness in itself . The enduring whole is diversified by successive phases that are emphases ...
Pagina 174
... experience of thinking , premises emerge only as a conclusion becomes manifest . The experience , like that of watching a storm reach its height and ... experience . The experience may be one that is 174 ART AS VIVID EXPERIENCE.
... experience of thinking , premises emerge only as a conclusion becomes manifest . The experience , like that of watching a storm reach its height and ... experience . The experience may be one that is 174 ART AS VIVID EXPERIENCE.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words