A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 215
... follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imagina- tive painter " or an ...
... follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imagina- tive painter " or an ...
Pagina 475
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most ... follow the guidance of the artist . The artist creates , the spectator re - creates . Now the way criticism comes in ...
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most ... follow the guidance of the artist . The artist creates , the spectator re - creates . Now the way criticism comes in ...
Pagina 492
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral movement nature nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words