A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 56
Pagina 475
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to esthetic theory . The idea is that the critic re - creates in the process of ...
... follows immediately from the organistic conception of esthetic objectivity , and is , to my mind , one of the most fruitful contributions of any philosophy to esthetic theory . The idea is that the critic re - creates in the process of ...
Pagina 476
... follows this method will un- doubtedly begin spontaneously to check up his own imaginative reconstruction of the work . He will look for confirmations of his feeling expectations in other parts of his work , or for other expectations ...
... follows this method will un- doubtedly begin spontaneously to check up his own imaginative reconstruction of the work . He will look for confirmations of his feeling expectations in other parts of his work , or for other expectations ...
Pagina 492
... follows something as some other thing follows it . A well - constructed plot , therefore , must neither begin nor end at haphazard , but conform to these principles . Again , a beautiful object , whether it be a living organism or any ...
... follows something as some other thing follows it . A well - constructed plot , therefore , must neither begin nor end at haphazard , but conform to these principles . Again , a beautiful object , whether it be a living organism or any ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words