A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 130
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
... give up the pleasure they derived from play . But anyone who knows anything of the mental life of human beings is aware that hardly anything is more difficult to them than to give up a pleasure they have once tasted . Really we never ...
Pagina 438
... give us the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
... give us the answer . Let it express itself , give to it , too , a chance to communicate to us all that it can bring to our mind , to show us to its best advantage every one of its features , to tell us its own story , to bring to the ...
Pagina 439
... give us repose in the object ; to make the object beautiful - are only four different expressions of the same fact . One aspect more ought to be emphasized at once . Science is connection , but not every connection is science ; art is ...
... give us repose in the object ; to make the object beautiful - are only four different expressions of the same fact . One aspect more ought to be emphasized at once . Science is connection , but not every connection is science ; art is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words