A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 93
... images itself , which sets in doubt the capacity of the image to define the character of art and is in reality occupied with the mode of sepa- rating the genuine from the spurious image , and of enriching in this way the concept of the ...
... images itself , which sets in doubt the capacity of the image to define the character of art and is in reality occupied with the mode of sepa- rating the genuine from the spurious image , and of enriching in this way the concept of the ...
Pagina 94
... image , and not of an incoherent mass of images obtained by recalling former images and allowing them to succeed one another capriciously , by combining one image with another in a like capricious manner , joining a horse's neck to a ...
... image , and not of an incoherent mass of images obtained by recalling former images and allowing them to succeed one another capriciously , by combining one image with another in a like capricious manner , joining a horse's neck to a ...
Pagina 96
... images which seem to be , each in turn , rich in power of conviction , leaves us nevertheless de- luded and diffident , because we do not see them generated from a state of the soul , from a " sketch " ( as the painters call it ) , from ...
... images which seem to be , each in turn , rich in power of conviction , leaves us nevertheless de- luded and diffident , because we do not see them generated from a state of the soul , from a " sketch " ( as the painters call it ) , from ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words