A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 72
... intellectual and volitional activities . And their cooperation , on the other hand , must evidently exercise some influence on the primordial feeling . It is a familiar observation , duly emphasized in all psychological handbooks , that ...
... intellectual and volitional activities . And their cooperation , on the other hand , must evidently exercise some influence on the primordial feeling . It is a familiar observation , duly emphasized in all psychological handbooks , that ...
Pagina 174
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be quali- tatively experienced . The difference is enormous . It is one reason why the ...
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be quali- tatively experienced . The difference is enormous . It is one reason why the ...
Pagina 283
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words