A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 112
... merely by style and achieving therefore not only the false but the conventional . For nothing is more easy than the novel style invented only to be different . That is to say , Picasso has passed from the age of true childish inspira ...
... merely by style and achieving therefore not only the false but the conventional . For nothing is more easy than the novel style invented only to be different . That is to say , Picasso has passed from the age of true childish inspira ...
Pagina 290
... merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been illuminated and harmonized for us , need not be wholly dismissed . It is true that experience is ...
... merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been illuminated and harmonized for us , need not be wholly dismissed . It is true that experience is ...
Pagina 373
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words