A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 18
... mind , and so far it owes to the mind not only its percipi [ being perceived ] as every perceived object does , but its esse [ essence or being ] . We have therefore all the greater need of caution in extending what is true of beauty ...
... mind , and so far it owes to the mind not only its percipi [ being perceived ] as every perceived object does , but its esse [ essence or being ] . We have therefore all the greater need of caution in extending what is true of beauty ...
Pagina 19
... mind contemplates an external reality which owes to the mind its truth but not its reality , and in the other case the mind alters reality practically but the practical results do not owe their character to mind but only their ...
... mind contemplates an external reality which owes to the mind its truth but not its reality , and in the other case the mind alters reality practically but the practical results do not owe their character to mind but only their ...
Pagina 27
... mind is not intuitive like the angelic mind : it can perceive , no doubt , but only on con- dition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
... mind is not intuitive like the angelic mind : it can perceive , no doubt , but only on con- dition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words