A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 253
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is dis- course ; and the pattern of discourse is known as discursive form . It is a ...
... pattern commonly known , and readily understood to reflect our multifarious concepts and percepts and their interconnections . This use of language is dis- course ; and the pattern of discourse is known as discursive form . It is a ...
Pagina 265
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess con- sciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
... pattern itself . Evidently , then , expression is not limited to living organisms that we assume to possess con- sciousness . A steep rock , a willow tree , the colors of a sunset , the cracks in a wall , a tumbling leaf , a flowing ...
Pagina 333
... pattern or in the difference of strength of their individual type patterns than in any other formal difference or in any differences in the material , expressive , or functional features of their works . As to the historian of art , he ...
... pattern or in the difference of strength of their individual type patterns than in any other formal difference or in any differences in the material , expressive , or functional features of their works . As to the historian of art , he ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words