A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 222
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expres- siveness . . . We should begin , I am convinced , from the very simplest facts . Why do artists make different patterns , or treat ...
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expres- siveness . . . We should begin , I am convinced , from the very simplest facts . Why do artists make different patterns , or treat ...
Pagina 275
... questions ; they do not belong to its province . Nor can philosophy or religion " answer " them in the sense in which science has taught us to expect answers to its questions . As the senses of " question " shift , so do those of ...
... questions ; they do not belong to its province . Nor can philosophy or religion " answer " them in the sense in which science has taught us to expect answers to its questions . As the senses of " question " shift , so do those of ...
Pagina 465
... questions , though clearly different in focus and objective , both relate to the work's dis- tinctive mode of expression . The former is designed to establish generic similari- ties and differences between the work in question and other ...
... questions , though clearly different in focus and objective , both relate to the work's dis- tinctive mode of expression . The former is designed to establish generic similari- ties and differences between the work in question and other ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words