A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxvi
... relations to the other elements and to the whole . This implies that the distinction between form and content is relative : the content is the elements in relation , the form is the relation among the ele- ments , and the total work is ...
... relations to the other elements and to the whole . This implies that the distinction between form and content is relative : the content is the elements in relation , the form is the relation among the ele- ments , and the total work is ...
Pagina 183
... relation is so close that it con- trols simultaneously both the doing and the perception . Such vital intimacy of connection cannot be had if only hand and eye are engaged . When they do not , both of them , act as organs of the whole ...
... relation is so close that it con- trols simultaneously both the doing and the perception . Such vital intimacy of connection cannot be had if only hand and eye are engaged . When they do not , both of them , act as organs of the whole ...
Pagina 228
... relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the ... relation constituting a serial order has certain properties . If it applies to a group of elements , then every ...
... relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the ... relation constituting a serial order has certain properties . If it applies to a group of elements , then every ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words