A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 60
An Anthology Melvin Miller Rader. IV . Style and Personality Style is the man , says Buffon ; and he is right . Get some one who can read , to read a page of Demosthenes and of Cicero , of Bossuet and of Massillon , of Corneille and of ...
An Anthology Melvin Miller Rader. IV . Style and Personality Style is the man , says Buffon ; and he is right . Get some one who can read , to read a page of Demosthenes and of Cicero , of Bossuet and of Massillon , of Corneille and of ...
Pagina 337
... style as a value term ; style as such is a quality and the critic can say of a painter that he has " style " or of a writer that he is a " stylist . " Although " style " in this normative sense , which is applied mainly to individual ...
... style as a value term ; style as such is a quality and the critic can say of a painter that he has " style " or of a writer that he is a " stylist . " Although " style " in this normative sense , which is applied mainly to individual ...
Pagina 339
... styles , one must also look for features of another order and , above all , for different ways of combining the elements . Although some writers conceive of style as a kind of syntax or compositional pattern , which can be analyzed ...
... styles , one must also look for features of another order and , above all , for different ways of combining the elements . Although some writers conceive of style as a kind of syntax or compositional pattern , which can be analyzed ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words