A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 94
... tion , here convenient , and setting aside minor and accidental determinations , romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of anguish and jubilation , of ...
... tion , here convenient , and setting aside minor and accidental determinations , romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of anguish and jubilation , of ...
Pagina 102
... tion can expression in one of its forms be wanting ; it is , in fact , an inseparable part of intuition . How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to ...
... tion can expression in one of its forms be wanting ; it is , in fact , an inseparable part of intuition . How can we really possess an intuition of a geometrical figure , unless we possess so accurate an image of it as to be able to ...
Pagina 189
... tion of the earth , you may still miss the radiance of the sunset . There is no sub- stitute for the direct perception of the concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and ...
... tion of the earth , you may still miss the radiance of the sunset . There is no sub- stitute for the direct perception of the concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words