A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 36
... uncon- scious of their collocation , and all nature would have been insensible of their changing arrangement . We only , the possible spectators of that process , by virtue of our own interests and habits , could see any progress or ...
... uncon- scious of their collocation , and all nature would have been insensible of their changing arrangement . We only , the possible spectators of that process , by virtue of our own interests and habits , could see any progress or ...
Pagina 55
... uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its possession gives him his claim to ...
... uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its possession gives him his claim to ...
Pagina 516
... Uncon- scious : Papers on the Psychology of Art , Literature , Love , Religion , New York , 1958 . Psychoanalytische Studien der Dichtung und Kunst , Leipzig , 1924 . Wit and Its Relation to the Un- conscious , New York , 1916 . and ...
... Uncon- scious : Papers on the Psychology of Art , Literature , Love , Religion , New York , 1958 . Psychoanalytische Studien der Dichtung und Kunst , Leipzig , 1924 . Wit and Its Relation to the Un- conscious , New York , 1916 . and ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words