A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 207
... understand this distinction between the formula and what lies behind it , it behooves us to deal generously with the traditional theories of art ; because incorporated in every one of them is a debate over and argument for emphasizing ...
... understand this distinction between the formula and what lies behind it , it behooves us to deal generously with the traditional theories of art ; because incorporated in every one of them is a debate over and argument for emphasizing ...
Pagina 320
... understand a syllable . The pleasure is quite appreciable , but it is not great ; nor in actual poetic experience do you meet with it , as such , at all . For , I repeat , it is not added to the pleasure of the meaning when you read ...
... understand a syllable . The pleasure is quite appreciable , but it is not great ; nor in actual poetic experience do you meet with it , as such , at all . For , I repeat , it is not added to the pleasure of the meaning when you read ...
Pagina 461
... understand what it was that the authors or makers of works of art intended to express , and to interpret this ... understanding of the work of art itself and its expressed content . The prefix “ re , ” in the term “ re - creation , " is ...
... understand what it was that the authors or makers of works of art intended to express , and to interpret this ... understanding of the work of art itself and its expressed content . The prefix “ re , ” in the term “ re - creation , " is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words