Enter The Body: Women and Representation on Shakespeare's StageRoutledge, 11 set 2002 - 240 pagine Enter the Body offers a series of provocative case studies of the work women's bodies do on Shakespeare's intensely body-conscious stage. Rutter's topics are sex, death, race, gender, culture, politics, and the excessive performative body that exceeds the playtext it inhabits. As well as drawing upon vital primary documents from Shakespeare's day, Rutter offers close readings of women's performance's on stage and film in Britian today, from Peggy Ashcroft's (white) Cleopatra and Whoopi Goldberg's (whiteface) African Queen to Sally Dexter's languorous Helen and Alan Howard's raver 'Queen' of Troy. |
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Enter The Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Anteprima limitata - 2002 |
Enter the Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Anteprima limitata - 2001 |
Enter the Body: Women and Representation on Shakespeare's Stage Carol Chillington Rutter Anteprima limitata - 2001 |
Parole e frasi comuni
Achilles actors Antony and Cleopatra Ashcroft audience authentic Barton’s bizarre Branagh’s Caird Cambridge camera Cordelia corpse costume court cultural dark daughter dead death Desdemona designed Diomedes discursive dress early modern Egypt Egyptian Elizabeth Elsinore English eyes face fantasy father female film finally frame funeral gaze gender gipsy gossip grave Gravedigger Greek Hamlet handkerchief Hector Helen Helen Mirren Hodgdon homosexuality Iago Iago’s Imogen Stubbs John King Lear Kozintsev Laertes Lear’s legible London looking male men’s Michael Michael Billington narrative Nunn ofthe Olivier opening Ophelia Othello Pandarus Patroclus performance photograph play play’s players playhouse playtext politics production Queen remember Renaissance representation Sally Dexter Sam Mendes scene sexuality Shakespeare Birthplace Trust Shakespeare Centre Library shot space spectators stage story Stratford-upon-Avon tells theatre theatre’s theatrical Trevor Nunn’s Troilus and Cressida trope turns Ulysses University Press Wanamaker’s Emilia whore woman women Zeffirelli Zoe Wanamaker