The Party of Humanity: Writing Moral Psychology in Eighteenth-century BritainWhat is the relationship between the self and society? Where do moral judgements come from? As Blakey Vermeule demonstrates in this discussion, such questions about sociability and moral philosophy were central to 18th-century writers and artists. Vermeule focuses on a group of aesthetically complicated moral texts: Alexander Pope's character sketches and Dunciad, Samuel Johnson's Life of Savage, and David Hume's self-consciously theatrical writings on pride and his autobiographical writings on religious melancholia. These writers and their characters confronted familiar social dilemmas - sexual desire, gender identity, family relations, cheating, ambition, status, rivalry and shame - and responded by developing a practical ethics about their own behaviour at the same time that they refined their moral judgements of others. |
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Sommario
The Art of Obligation | 29 |
Four Abstraction Reference and the Dualism | 94 |
Johnsons Life of Savage | 119 |
Copyright | |
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Parole e frasi comuni
abstraction acting Addison aesthetic altruism answer argued authority become beliefs Book called cause character claims complex critics culture Dennis describes desire distinction Dunciad early effect eighteenth-century emotion especially example experience explain expression fact feeling figure force friends give hand human Hume Hume's idea imagination impressions individual interest internal John Johnson judgment kind language less letter literary lives look meaning melancholy mind moral moralist motives names nature never normative object obligation particular passion perhaps person philosophical play pleasure poem poetry political Pope Pope's portrait position practical pride proper psychology question quoted readers reason reciprocal reference reflection relation relationship rhetorical rules satire Savage Savage's seeks seems sense social society spectator suggests theory things thought tion tradition true turn values virtue whole writes wrote
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