The Archetypal World of Henry MooreRoutledge & K. Paul, 1959 - 138 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina ix
... Elmwood . 1935/36 . L. 35 in . Coll . Albright Art Gallery , Buffalo , New York . Page 43 ; see also 42 . 28. RECLINING FIGURE Elmwood . 1936. L. 42 in . Coll . Wakefield City Art Gallery and Museum . Page 46 ; see also 42 , 47 , and 48 ...
... Elmwood . 1935/36 . L. 35 in . Coll . Albright Art Gallery , Buffalo , New York . Page 43 ; see also 42 . 28. RECLINING FIGURE Elmwood . 1936. L. 42 in . Coll . Wakefield City Art Gallery and Museum . Page 46 ; see also 42 , 47 , and 48 ...
Pagina xv
... Elmwood . 1953/54 . H. 1034 in . Coll . Albright Art Gallery , Buffalo , New York . Page 126 ; see also 127 . 106. RECLINING FIGURE ( INTERNAL AND EXTERNAL FORMS ) Plaster . 1953/54 . L. 84 in . Page 129 ; see also 128 . THE ARCHETYPAL ...
... Elmwood . 1953/54 . H. 1034 in . Coll . Albright Art Gallery , Buffalo , New York . Page 126 ; see also 127 . 106. RECLINING FIGURE ( INTERNAL AND EXTERNAL FORMS ) Plaster . 1953/54 . L. 84 in . Page 129 ; see also 128 . THE ARCHETYPAL ...
Pagina 45
... elmwood figure , the broad sweep from shoulder to arm ; it is conditioned by the grain of the wood - the artist has only followed it . So , too , with the lines rip- 29. DETAIL OF 28 28. RECLINING FIGURE Elmwood . 1936. L. 42 " because.
... elmwood figure , the broad sweep from shoulder to arm ; it is conditioned by the grain of the wood - the artist has only followed it . So , too , with the lines rip- 29. DETAIL OF 28 28. RECLINING FIGURE Elmwood . 1936. L. 42 " because.
Parole e frasi comuni
abstract artist becomes Bedeutung body breast carving caves cavity Chalk and water Coll connection consciousness creative individual cultural canon Draped Reclining earth archetype enantiodromia experience expression EXTERNAL FORMS FAMILY GROUP feminine archetype form and content formal French Sudan haptic HELMET HEAD Henry Moore Herbert Read hole Hornton stone human inner inside interior landscape Leonardo da Vinci London Madonna maternal matriarchal Memorial Figure modern Moore's art Moore's sculptures MOTHER AND CHILD mother archetype mother-child motif mystery nature Notes on Sculpture openwork heads Primitive Art principle Private collections problem psychic psychological RECLINING FIGURE RECLINING FIGURE Bronze relationship scious sculp Sculpture and Drawings SEATED FIGURES shape shelter drawings simplification skull symbolized sleepers soul spectral spiritual strange stringed figures Sylvester symbol Tate Gallery Terra cotta thing Time-Life Time-Life Building tion transformation transpersonal ture uncon unconscious unitary reality water color woman wood XVIII Dynasty