Art as ExpressionHowells House, 1995 - 232 pagine This book is for any painter who wants to grow as an artist and learn how to creatre more expressive art. Based on insights that have helped many of his students express the natural artists within themselves, Art as Expressionn embodies Henry Peacock's creative experience during four decades of painting and teaching. Profusely illustrated with diagrams analyzing the work of twentieth century masters, this book is helpful for art teachers and for anyone who seeks a further understanding in art. |
Sommario
Color as Vocabulary | 73 |
The Discoverers | 84 |
Single Color Dominance | 95 |
Seeing ColorForm As Structure | 111 |
The Americans | 118 |
The Painters Light | 126 |
Form Has Its Own Laws | 180 |
Art as Expression | 185 |
Sources and Notes | 215 |
Bibliography | 227 |
Parole e frasi comuni
abstract painting appear artist balance Barnes blue Braque brilliant brush stroke Cézanne Cézanne's Clyfford coexisting space color interaction color/form composed contrast cool create creative cubist dark deep depth developed distorted Dominates the Composition Edward Hopper energy evaluate experience expression feelings flat focal point geometric Georges Braque Georgia O'Keeffe gray green Guernica harmony Henri Matisse Hex Sign idea illusion inner intensity intuitive Jackson Pollock John Marin light limited Mandolin mass relationships Matisse's Modern Art Montagne Sainte-Victoire movement Museum nature negative space Neil Welliver neutral objects Oil on canvas one's orange Pablo Picasso painters Paul Cézanne perceived perception Picasso picture plane positive form primary proportions qualities reality recedes relative responses to form rhythmical seen shape simplified spatial intervals static structure Stuart Davis studio style subject matter surface tion tonal value tone tree vary vertical vision visual warm watercolor weight Welliver's whole York