De KooningAbbeville Press, 1983 - 136 pagine Willem de Kooning had a restless, probing creativity, pushing on from one style to the next. The battle between abstraction and figuration was essential to his art as he moved from the profound black-and-white abstractions of the 1940s to the ferocious Women of the 1950s, through the later "landscapes" and the final lyrical abstractions. This richly illustrated volume offers a perceptive and sympathetic view of an artist who made some of the greatest art of this century. The variety, the inventiveness, the sheer quality of de Kooning's work demand our attention and reward us with visual riches. Book jacket. |
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Abstract Art Abstract Expressionism abstract landscapes Allan Stone Allan Stone Gallery American Art April Arshile Gorky Art in America artist Artnews black and white brushstrokes Charcoal on paper Clam Digger color composition board Courtesy Xavier Fourcade Cubism Denby East Hampton Easter Monday Egan Gallery Elaine de Kooning Excavation exhibition catalog figures Franz Kline Gallery of Art Harold Rosenberg Hess Hirshhorn Museum ing's Interview with Willem John Ferren Knoedler and Company Kooning's art Kooning's paintings Kooning's sculpture Kooning's Women Modern Art Montauk Museum and Sculpture Museum of American Museum of Art Museum of Modern November Oil and charcoal Oil and enamel Oil on canvas painter painting and drawing Picasso Pink Angels Pollock Private collection Recent Paintings Review of exhibition Rudolph Burckhardt Sag Harbor Sculpture Garden shapes Sidney Janis Sidney Janis Gallery Stedelijk Museum strokes studio Suburb in Havana surface Untitled Visit Washington white abstractions Whitney Museum Willem de Kooning

