A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 287
... Beethoven did make certain claims for his music and that Elizabeth , very romantic and somewhat unscrupulous , gave them what she thought was an effective presentation . 1 The point is important because in this report is almost the only ...
... Beethoven did make certain claims for his music and that Elizabeth , very romantic and somewhat unscrupulous , gave them what she thought was an effective presentation . 1 The point is important because in this report is almost the only ...
Pagina 297
... Beethoven's music ) is in any sense program music is due to their feeling that any proposed “ situation " is not only inadequate but even irrelevant . In denying the adequacy of any pro- posed situation to the musical effect they have ...
... Beethoven's music ) is in any sense program music is due to their feeling that any proposed “ situation " is not only inadequate but even irrelevant . In denying the adequacy of any pro- posed situation to the musical effect they have ...
Pagina 332
... Beethoven or Wagner by its rhythmic , melodic , or harmonic structure . The characteristic form traits that artists impart to their diverse individual designs , it is true , often change considerably over time . Historians speak of the ...
... Beethoven or Wagner by its rhythmic , melodic , or harmonic structure . The characteristic form traits that artists impart to their diverse individual designs , it is true , often change considerably over time . Historians speak of the ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words