A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 490
... action , is of primary importance ; character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic ...
... action , is of primary importance ; character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic ...
Pagina 493
... actions of one man out of which we cannot make one action . Hence the error , appears , of all poets who have composed a Heracleid , a Theseid , or other poems of the kind . They imagine that as Heracles was one man , the story of ...
... actions of one man out of which we cannot make one action . Hence the error , appears , of all poets who have composed a Heracleid , a Theseid , or other poems of the kind . They imagine that as Heracles was one man , the story of ...
Pagina 500
... action : herein contrasted with history . ] As to that poetic imitation which is narrative in form and employs a single meter , the plot manifestly ought , as in a tragedy , to be constructed on dramatic . principles . It should have ...
... action : herein contrasted with history . ] As to that poetic imitation which is narrative in form and employs a single meter , the plot manifestly ought , as in a tragedy , to be constructed on dramatic . principles . It should have ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words