A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina xx
... artist himself to contemplate as the adequate ground for his own appreciative attitudes . The prob- lem of the artist is to find the objective forms and qualities that will induce the person who contemplates them to discover in the ...
... artist himself to contemplate as the adequate ground for his own appreciative attitudes . The prob- lem of the artist is to find the objective forms and qualities that will induce the person who contemplates them to discover in the ...
Pagina 55
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
Pagina 332
... artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable Tintoretto compositions . Artists generally tend to reuse similar pat- terns . As an artist matures , he develops a characteristic ...
... artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable Tintoretto compositions . Artists generally tend to reuse similar pat- terns . As an artist matures , he develops a characteristic ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words