A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 329
... character of rhythm ; the rhythm of time and accent is united with the melodic development of the musical theme , but does not constitute it . The essential character of evolution is , as Bergson has shown , growth or accumulation of ...
... character of rhythm ; the rhythm of time and accent is united with the melodic development of the musical theme , but does not constitute it . The essential character of evolution is , as Bergson has shown , growth or accumulation of ...
Pagina 490
... character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic orna- ment , the several kinds being ...
... character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic orna- ment , the several kinds being ...
Pagina 497
... character in tragedy . The rule of neces- sity or probability applicable to character as to plot . The " deus ex machina . " How character is idealized . ] In respect of Character there are four things to be aimed at . First , and most ...
... character in tragedy . The rule of neces- sity or probability applicable to character as to plot . The " deus ex machina . " How character is idealized . ] In respect of Character there are four things to be aimed at . First , and most ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words