A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 76
Pagina 195
... common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , -but that they are related to one another in many different ways . And it is because of this ...
... common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , -but that they are related to one another in many different ways . And it is because of this ...
Pagina 198
... common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is called ' yellow ochre . " And compare this case : I show him samples of ...
... common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is called ' yellow ochre . " And compare this case : I show him samples of ...
Pagina 204
... common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games , ball games , Olympic games , and so on . What is common to them all ? -Don't say : ' there must be something ...
... common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games , ball games , Olympic games , and so on . What is common to them all ? -Don't say : ' there must be something ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words